MAAT - Museum of Art, architecture & Technology


For MAAT, I worked as camera operator and gaffer across a series of exhibition videos, artist and curator interviews, making-of videos, and films made to live alongside the exhibitions themselves. The focus was always the same: keep it precise and respectful, let the artwork and the voices lead, and create a visual language that feels calm, cinematic, and true to the space. These projects were filmed across major exhibitions including AQUARIA, X Is Not a Small Country, An Oasis at Sunset, and Earth Bits.

Role: Camera Operator · Lighting (Gaffer)


AQUARIA — Interview with

Interview filmed within the AQUARIA exhibition, focusing on ideas, scale, and how architecture, ecology, and future systems intersect, capturing the work of the Founder of 2050+ and former OMA/AMO, with curatorial work connected to platforms like the Venice Biennale, with a clean visual language.

Ippolito Pestellini Laparelli

An Oasis at Sunset — Interview with

Joana Vasconcelos

Filmed inside the exhibition while the space was still alive around it.
My approach was to let the presence of one of Portugal’s most internationally recognised artists — with work shown at venues such as the Venice Biennale — lead. The light stays honest and the camera stays steady capturing her work.

X Is Not a Small Country — Interview with

Daniel Zamarbide

A structured, architectural interview that mirrors the exhibition’s themes, filmed with rigor and balance to support reflection, context, and critical thinking on the work of the co-founder of Bureau A and professor at ETH Zürich.


AQUARIA — Interview with

A curator-led perspective on AQUARIA, filmed with a clear, institutional tone that prioritises clarity, credibility, and connection between concept and space.

Angela Rui

An Oasis at Sunset — Interview with

Gabrieal Abrantes

An interview that sits between cinema and contemporary art, filmed to feel natural and conversational while keeping the calm presence of a museum setting. Abrantes is an award-winning filmmaker and visual artist whose work has screened at major festivals including Cannes, Locarno, and Berlinale — so the approach here was simple: clean image, honest light, and space for ideas to land.

An Oasis at Sunset — Interview with

Diana Policarpo

A more intimate and reflective interview, where light, framing, and pace are used subtly to match the emotional and conceptual depth of the artist’s work.


An Oasis at Sunset

— Making Of

Behind-the-scenes coverage capturing the process of building the exhibition — focusing on movement, detail, and collaboration, without interrupting the natural flow of production.

Earth Bits Exhibition

An exhibition film centred on atmosphere and meaning rather than explanation, using space, texture, and rhythm to translate the artwork into a cinematic experience.

— Sentir o Planeta

An Oasis at Sunset — Interview with

Jorge Molder

A quiet, composed interview that respects the weight of the work and the artist, filmed with rigor to keep focus on voice, presence, and intention.

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