Music Videos & Short Film
I’ve also spent time on set in technically demanding roles, working as 1st assistant camera, focus puller, gaffer, and runner on music videos and a short film. These were low-budget productions with strong artistic ambition, often shot in challenging conditions, including extreme low light and fast-paced environments. This experience sharpened my technical precision, attention to detail, and ability to stay calm and reliable on set, supporting directors and cinematographers, artists, and crews while making sure the shot works, no matter the conditions.
Role: 1st Camera Assistant · Focus Puller · Gaffer · Runner
Rosa Neon —
“Cê Não Tem Dó de Mim” (Music Video)
A music video built around performance, rhythm, and movement. Working on set as 1st camera assistant roles, the focus was on supporting the artist’s presence and keeping the image alive and responsive. The project connects to the early career of Marina Sena, now one of Brazil’s most recognised contemporary music artists.
Dias de Fome —
Short Film (dir. Lourenço Vaz)
A post-apocalyptic family drama with strong emotional and moral tension, framed as a horror narrative. Working as 1st assistant camera, gaffer, and focus puller, the project required discipline, adaptability, and close collaboration within a small crew — supporting narrative filmmaking under tight constraints.
Downfall of Mankind —
“An Evolutionary Descendant” (Music Video)
A visually aggressive music video shot in extremely low-light conditions using vintage ZEISS lenses at wide apertures. The work demanded precise focus pulling, close coordination with camera movement, and constant attention to exposure — proving technical control in one of the most challenging shooting environments.